Fan Zhang Sound Design/张颿声音设计

Fan Zhang

Sound, Music

and Everything
in Between

"Fan Zhang’s sound, has this cinematic precision"

Helen Shaw, Vulture

''Fan Zhang's sound design and original music have an otherworldly quality''

Laura Collins-Hughes, New York Times

''Fan Zhang’s underscoring throbs with surreal menace. Zhang is the production’s undercover hero; her sound design is a pulsing, ever-transforming constant, doing some serious heavy lifting in a play...''

Sarah Holdren, Vulture

ABOUT

Fan Zhang is a NYC-based sound designer and composer for theatre, dance, film, commercial radio, and installation. Her designs are described as “smart” and “has an otherworldly quality” by New York Times and Vulture.

Her recent Off-Broadway design and original music credits include: Jordans ( Public); At the Wedding ( Lincoln Center Theatre); The Far Country ( Atlantic Theater); This Land Was Made( Vineyard Theatre); Snow in Midsummer (Classic Stage); Paris (Atlantic Theatre); the Golden Age (59E59); On That Day In Amsterdam (59E59); A Kid Like Rishi (Origin Theatre); Our Dear Dead Drug Lord (Second Stage & Women’s Project); Pumpgirl (Irish Rep); Suicide Forest (Ma-Yi&A.R.T), Molly Sweeney (Keen Company & Theatre Row); Round Table (59E59); Behind the Sheet (Ensemble Studio Theatre); Beautiful Day Without You (West End Theatre); Calling: Dance With a Faith (Ping Chong & La Mama); Interstate (Theatre Row); The Trail of the Catonsville Nine (Transport Group); Scissoring (INTAR); Three Girls Never Learnt the Way Home (Cherry Lane Theatre); Tania In the Gateway Van (The Flea).
 

She has designed at most of the nation's leading regional theaters including productions at: Shakespeare Theatre Company, Berkeley Rep, Arena Stage, Steppenwolf Theatre Company, Milwaukee Rep, Capital Rep, Artists Repertory Theatre, American Repertory Theater, Long Wharf, Pittsburgh City Theatre, Portland Center Stage, Studio Theatre D.C., Two River Theater, Westport Country Playhouse, Williamstown Theatre Festival, Yale Rep, Huntington Theatre and Old Globe.

She is a member of United Scenic Artists Local USA 829(IATSE), ASDP and TSDCA. Professor in Sound at Purdue University. Education: Yale School of Drama.

张颿，常驻纽约声音设计师和作曲，她的作品涉及戏剧、舞蹈、电影、商业广播和装置艺术。她的设计被《纽约时报》和《Vulture》杂志评价为“聪明的”并且具有“超凡脱俗的品质”。

其近期纽约的声音设计和音乐作品包括：在婚礼上（林肯中心）；乔丹（公共剧院）；远方之国（大西洋剧院）；这片土地（葡萄园剧院）；盛夏雪（经典舞台剧院）；巴黎（大西洋剧院）；黄金时代（59E59剧院）；在阿姆斯特丹的那一天（59E59剧院）；像瑞西这样的孩子（起源剧院）；我们亲爱的毒枭（第二舞台剧院和女性剧院）；泵女孩（爱尔兰剧院）；自杀森林（马依剧团&美国剧艺术剧院），莫莉·斯威尼（剧院街剧院）；圆桌（59E59剧院）；隐藏（合奏工作室剧院）；没有你的日子（西区剧院）；呼唤：与信仰共舞（La Mama剧院）；州际（剧院街）；卡顿斯维尔九号审判之路（运输集团剧院）；剪刀（INTAR）；三个女孩（樱桃巷剧院）；塔妮亚（跳蚤剧院）。

她在全美顶尖的剧院都有设计作品，其中包括莎士比亚剧院公司、伯克利剧院、竞技场剧院、西雅图剧院，旧金山剧院，斯特普沃尔夫剧院公司、密尔沃基剧院、首都剧院、艺术家剧院、美国剧艺术剧院、长岸剧院、匹兹堡市剧院、波特兰剧院、华盛顿特区剧院、两河剧院、韦斯特波特乡村剧场、威廉斯敦剧院节、耶鲁剧院、亨廷顿剧院和环球剧院等。

她硕士毕业于耶鲁大学戏剧学院声音设计专业，现任美国普渡大学声音设计专业教授及负责人，美国影视剧场设计师工会成员USA 829（IATSE）、英国剧场声音设计工会ASDP成员，和美国舞台声音设计与作曲协会TSDCA成员。

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