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Fan Zhang is a NYC-based sound designer and composer for theatre, dance, film, commercial radio, and installation. Her designs are described as “smart” and “has an otherworldly quality” by New York Times and Vulture. Fan is the recipient of the New York Innovative Theatre Awards (Cannibal Galaxy) and Connecticut Critics Circle Award (Seven Guitars). 
 
Her recent Off-Broadway design and original music credits include: At the Wedding ( Lincoln Center Theatre); The Far Country ( Atlantic Theater); This Land Was Made( Vineyard Theatre); Snow in Midsummer (Classic Stage); Paris (Atlantic Theatre); the Golden Age (59E59); On That Day In Amsterdam (59E59); A Kid Like Rishi (Origin Theatre); Our Dear Dead Drug Lord (Second Stage & Women’s Project); Pumpgirl (Irish Rep); Suicide Forest (Ma-Yi&A.R.T), Molly Sweeney (Keen Company & Theatre Row); Round Table (59E59); Behind the Sheet (Ensemble Studio Theatre); Beautiful Day Without You (West End Theatre); Calling: Dance With a Faith (Ping Chong & La Mama); Interstate (Theatre Row); The Trail of the Catonsville Nine (Transport Group); Scissoring (INTAR); Three Girls Never Learnt the Way Home (Cherry Lane Theatre); Tania In the Gateway Van (The Flea).



She has designed at most of the nation's leading regional theaters including productions at: Shakespeare Theatre Company, Berkeley Rep, Arena Stage, Steppenwolf Theatre Company, Milwaukee Rep, Capital Rep, Artists Repertory Theatre, American Repertory Theater, Long Wharf, Pittsburgh City Theatre, Portland Center Stage, Studio Theatre D.C., Two River Theater, Westport Country Playhouse, Williamstown Theatre Festival, Yale Rep, Huntington Theatre and Old Globe.
 
 
She holds a M.F.A. from Yale School of Drama. She is Member of United Scenic Artists Local USA 829, IATSE and TSDCA(Theatrical Sound Designers and Composers Association )

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张颿，常驻纽约声音设计师，声音工程师，作曲。

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近期百老汇及外百老汇作品包括：林肯中心《在婚礼上》、大西洋剧院《远方》、藤葉剧场《这片土地是如何诞生的》、经典舞台《仲夏的雪》、大西洋剧院《巴黎》、59E59 剧场《黄金时代》、59E59 剧场《在阿姆斯特丹的那一天》、源剧院的《像瑞西一样的孩子》、第二剧院 《亲爱的死去的毒枭》、爱尔兰剧院《抽水站女孩》、 A.R.T剧院《自杀森林》、凯恩剧院《莫莉·斯文尼》、59E59 剧场《圆桌》、Ensemble Studio 剧院《在布料后面》、西区剧院《没有你的美好一天》、La Mama剧场《呼唤：与信仰共舞》、Theatre Row 《洲际》、Transport 集团 《卡通斯维尔九人组的审判》、纽约拉丁剧院《 剪纸》、樱花巷剧院《三个女孩的回家路》、The Flea 剧院《塔尼娅》。

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她曾为全美顶尖地方剧院作品进行设计，包括华盛顿莎士比亚剧院公司、伯克利剧院、华盛顿竞技场剧院、迈阿密剧院，斯特普沃夫剧院公司、密尔沃基剧院公司、圣地亚哥坏球剧院、纽约州立剧院、美国代表艺术家剧院、朗沃夫剧院、匹兹堡城市剧院、波特兰中心剧场、华盛顿剧院 、新泽西双河剧院、Williamstown 戏剧节、辛辛那提剧院、波士顿亨廷顿剧院和耶鲁剧院。

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纽约时报评价其作品为“smart” ，”has an otherworldly quality“。 她曾获得纽约创新剧院奖（《食人银河》）和康涅狄克评论家圈奖（《七把吉他》）

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硕士MFA毕业于美国耶鲁大学， 目前任美国普渡大学声音设计教授，项目负责人。 客座任教于中央戏剧学院，纽约州立大学。

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美国戏剧与舞台 USA 829 IATSE 工会成员，和美国戏剧与舞台作曲工会 TSDCA 成员

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