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Fan Zhang is a New York-based sound designer and composer for theatre, film, commercial radio, and installations. 

Her recent Off-Broadway design and original music credits include: At the Wedding( Lincoln Center Theatre); Snow in Midsummer(Classic Stage);  Paris (Atlantic Theatre); the Golden Age (59E59); On That Day In Amsterdam (59E59);  A Kid Like Rishi ( Origin Theatre); Our Dear Dead Drug Lord (Second Stage & Women’s Project); Pumpgirl (Irish Rep); Suicide Forest (Ma-Yi&A.R.T), Molly Sweeney(Keen Company & Theatre Row); Round Table( 59E59); Behind the Sheet (Ensemble Studio Theatre); Beautiful Day Without You(West End Theatre); Calling: Dance With a Faith(Ping Chong & La Mama); Interstate(Theatre Row); The Trail of the Catonsville Nine (Transport Group); Scissoring (INTAR); Three Girls Never Learnt the Way Home (Cherry Lane Theatre); Tania In the Gateway Van (The Flea).

She has designed at most of the nation's leading regional theaters including productions at: Shakespeare Theatre Company, Berkeley Rep, Arena Stage, Steppenwolf Theatre Company, Milwaukee Rep, Old Globe, Capital Rep, Artists Repertory Theatre, Long Wharf, Pittsburgh City Theatre, Portland Center Stage, Studio Theatre D.C., Two River Theater, Williamstown Theatre Festival, Cincinnati Playhouse, Huntington Theater,  and Yale Rep.

 

She is the recipient of the  New York Innovative Theatre Awards( Cannibal Galaxy) and Connecticut Critics Circle Award (Seven Guitars).

 

Fan is currently the head of the sound program at Purdue University. She holds an MFA. from Yale School of Drama.